Mangione: The Story Behind the Story by John H Richardson – Sympathy for a Devil?

On the fifth of December 2024, a major newspaper published the headline “Insurance CEO Gunned Down In Manhattan”. The report then noted that Brian Thompson was “shot in the back in Midtown Manhattan by a assailant who then walked coolly away”. The daytime killing was indeed both chilling and disturbing. But numerous US citizens had a different response: for those who had been denied health insurance or struggled with medical bills, the news felt like a release. Online platforms erupted. One post read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company created to increase earnings on your health.”

Five days later, Luigi Mangione, a good-looking, twenty-six-year-old University of Pennsylvania alumnus with a graduate degree in computing, was apprehended at a McDonald’s in Altoona, Pennsylvania. He awaits trial on federal and state charges of murder, with the district attorney seeking the death penalty. So what is his background? And what might have motivated the accused offense? These are the questions John H Richardson attempts to answer in an inquiry that explores broader themes, too.

Understanding the Person

A writer for a major publication, Richardson spent years researching the groups that lurk in the dark corners of the internet, producing articles about people “plagued by genuine concerns about an end-times scenario”. To uncover “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was taken into custody, Luigi had a list of 295 books on Goodreads”. Their content ranged from climate change to masculinity, along with a “emphasis on his own self-improvement, both body and mind”. Furthermore, Richardson sifts through his correspondence with online personalities and authors as well as his many posts on social media. These original materials, meant to paint a portrait of Mangione, instead present him as an amorphous figure. Richardson tries to justify this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson tries to frame his subject in archetypal terms.

Mangione is profoundly worried about the world around him, one where ‘change is rapid whether we like it or not’

Interpreting the Incident

As for “the meaning” of the title, Richardson takes as his lead three words – “delay”, “refuse” and “depose”, etched on the bullets left behind at the crime scene. These are the terms occasionally employed by health insurance companies to deny coverage. He examines the indication Mangione suffered from a chronic back condition, which might have provided motive for an attack, but discovers no confirmation; instead, what significance there is seems to rest in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to eventually either dominate, or destroy us, or both.

Gaps in the Narrative

Notably missing from the book are conversations with the principal actors. Richardson made requests, but never expected access to Mangione himself. And his relatives stated explicitly that they had chosen not to talk to the media in advance of the trial. Another flashing-yellow omission is any significant information about the victim, Thompson, though we learn that under his leadership, from 2021 to 2023, company earnings increased by 33%.

Ambiguous Findings

By book’s end, the audience has little insight of Mangione’s personality or what could have driven his alleged crimes. Worse still, Richardson’s apparent empathy for him creates the uncomfortable impression of having been exposed to a veiled endorsement of an targeted killing. In the book’s final lines, Richardson delivers his fairytale assessment: “We’ve entered a time of fables, the mad king, the beast in the labyrinth and the naked leader.” In that tale “outlaw heroes come with a beautiful promise … They arrive in times of social turmoil, when the population is in pain and everything is confusing anymore.”

One thing is clear: as Mangione’s defence team continues in its attempts have accusations that could lead to the ultimate sentence dismissed, any mention of fables, Robin Hoods, heroes or villains will not be admissible as evidence in support for this attractive individual with a “features reminiscent of classical art” facing judgment for murder.

Karina Burch
Karina Burch

A passionate writer and artist exploring themes of intimacy and self-expression through creative works and personal narratives.